CIC 2022 – NYC

Day 1

Session I: Inequality in Creative Industries (Chair: Frédéric Godart)

• Aruna Ranganathan (Haas School of Business, UC Berkeley): “Girl uninterrupted: asynchronous teamwork and gender differences in performance” with Aayan Das
• Gillian Gualtieri (Barnard College): “Fake it when you make it: authenticity, strategies and ethnoracial inequality in american fine dining”
• Timothy Dowd (Emory College): “She still works hard for the money: composers, precarious work, and the gender pay gap” with Ju Hyun Park

Session II: Technology and Creative Work (Chair: Giovanni Formilan)

• Santi Furnari (Bayes Business School): “Custodianship across generations: preserving vinyl record manufacturing during a period of transition” with Rene Wiedner and Tina Dacin
• Enrico Forti (Manhattan College): “Competitive familiarity: learning to coordinate by competing” with Kenny Ching and Evan Rawley
• Ashley Mears (Boston University): “Making cringe content: the performativity of algorithms in creative labor”

Session III: Cultural Production in Politics, Organizations, and
Markets (Chair: Balázs Kovács)

• Clayton Childress (University of Toronto): “The polarization of popular culture: tracing the size, shape, and depth of the oil spill” with Craig Rawlings
• Pilar Opazo (Boston College): “Hungry minds: building a curious organization to sustain creative work” with Barbara Slavich and Ignasi Capdevila
• Tania Aparicio (Teachers College-Columbia University): “In the backstage: organizational models and the collective production of film curatorship in MoMA and Cineteca Nacional”
• James Riley (Harvard Business School): “Here be dragons: how art market platforms encode status into their marketplaces’ wayfinding tools”

Day 2

Session IV: Creative Careers
(Chair: Candace Jones)

• Pat Reilly (Sauder School of Business, UBC): “Creating yourself together: the construction of the commodifiable self in stand-up comedy”
• Kim Claes (SKK Graduate School of Business): “Gatekeepers as devices of talent retention and departure: the case of vogue and the global high-end fashion industry” with Aleksios Gotsopoulos
• Yonghoon Lee (Hong Kong University of Science and Technology): “Identity, networks, and the road to a successful career for creative freelancers”
• Rachel Skaggs (Ohio State University): “Risks and benefits of collective attribution in country music songwriting”

Roundtable:
The Past, Present, and Futures of Creative Industries Research

• Candace Jones (University of Edinburgh Business School)
• David Stark (Columbia University)
• Mukti Khaire (Cornell University)
• Paul DiMaggio (New York University)
• Paul Hirsch (Northwestern Kellog School of Management)
• Jennifer Lena (Columbia University; moderator)