CIC 2023

Day 1

opening & welcome

• Frédéric Godart, INSEAD
• Julien Jourdan, HEC Paris

Practioner’S TALK #1

Current Challenges in the TV Industry

• Guest Speaker: Frédéric Vaulpré (Senior Vice President at Glance-Médiamétria)

Intro to NFT

• Guest Speakers: Katia Kachan (President of Luxury For The Future Foundation) & Paul Warren (Co-Founder & CEO of Blocklive)

Session I: career & work

• Simon Bittmannman (CNRS): “Bypassing the Box Office? Performance, Risk and Career Inequalities among Women and Men Film Directors in France”
• Hyejun Kimtoyan (HEC Paris): “When do Bloggers Pay to Be Bloggers? Quasi-field Experiment on Online Comics Creators”
• Jenna Song (Northwestern University): “Influencer Relational Work and Audience Evaluations: The Role of Perceived Authenticity”

Session II: fashion and style

• Sandeep Pillai (Bocconi Univeristy): “From a Fashion Cluster to a Fashion Capital: Prêt-à-porter’s Emergence in Italy and Milan’s Transition”
• Nathan Odiase Osaremeichael (Judge Business School, Cambridge): “A Process and Performance Approach to Style in the Fashion Industry”
• Patricia Banks (Mount Holyoke College): “Diversity Capital and Corporate Support in the Cultural Sector”

Session III: Technological Change

• Aruna Ranganathan (UC Berkeley): “Cutting Through the (Digital) Clutter: Technological Change and Careers of Men and Women in Cultural Markets”
• Manav Raj (Wharton): “Digital Democratization and Novelty of Creative Content in the Book Industry”
• Ying Li (Carlos III University of Madrid): “From Purposeful Technology Resistance to Purposeful Technology Acceptance: How Art House Movie Theaters Became Virtual Cinema During COVID-19”

Session IV

• Joris Ebbers (Luiss Business School): “A process perspective on paradoxes within meso- and micro foundational creation processes: A qualitative nested case study of a media content production organization”
• Martina Pizzinato (UCL): “Is This Anything? Feedback Cycling in Idea Nexus”
• Chiara Giulia De Leo (University of Bologna & University of Edimburgh Business School): “Embroidering legitimacy: exploring the interplay of materiality and visuality in times of turbulent institutional change”
• Spencer Harrison (INSEAD): “Do Creative Assessments Change? Comparing Oscar, Razzie, and Cult Movies Popular Audience Evaluations”

PRACTIONER’S TALK #2

NFT in Creative Industries

• Guest Speakers: Pierre Nicolas Hurstel (Co-Founder & CEO of Arianee) & Antronio Carriero (Chief Digital & Technology Officer of BREITLING)

Session V

• Daria Morozova (Leiden Law School): “Feedback, creativity, and AI: Construal level perspective”
• Pat Reilly (UBC Sauder School of Business): “Unfocused or unemployed: Career histories as screening criteria in the hiring of broadcast television writers”
• Sumeet Malik (University of Amsterdam): “Novelty and Conformity by Bollywood Producers”
• Shuping Wu (INSEAD): “Reframing the Rejected: The Advantage of Central Conceptual Elements in Gaining Gatekeeper Approval of Novelty”

Day 2

PRACTIONER’S TALK #3

Fine Art Market in the Digital Era

• Guest Speakers: Giulia Archetti (Deputy Director of Sotheby’s)

Session VI: category and status

• Abraham Oshotse (Goizueta Business School): “Cultural Tariffs: Appropriation and the Right to Cross Cultural Boundaries”
• Heeyon Kim (Cornell University) “Changing Tracks: How Status Affects Category Shifts in the Korean Popular Music Industry”
• Sarah Otner (Kingston Business School): “The Smell of Victory: Prizes in the fragrance industry”
• Grégoire Croidieu (Emlyon Business School): “Organizations as Carriers of Status and Class Dynamics: A Historical Ethnography of the Emergence of Bordeaux’s Cork Aristocracy”

Session VII

• Monika Kackovic (University of Amsterdam): ” Centrality in networks”
• Isabella Pozzo (University of Amsterdam, Amsterdam Business School): “When it is Better to be in Two: Exploring Kinship and Eponymy as Drivers of Successful Co-Creation”
• Zhao (Joy) Zheng (INSEAD): “Stepping Into the Unknown: Creativity and Divergent Evaluations in Cultural Markets”
• Giovanni Formilan (University of Edinburgh Business School): “No Blue Without Yellow: A Multimodal Analysis of Contrast”

OPEN ANNOUCEMENTS AND ENDING NOTES