CIC 2022 – NYC
Ching, K., E. Forti, and E. Rawley
2022 “Competitive Familiarity: Learning to Coordinate by Competing.” Academy of Management Proceedings, 2022: 14767.
CIC 2022 – Amsterdam
Cnossen, B., and N. Bencherki
2023 “Artful Legitimacy: The Role of Materiality in Practices of Legitimation.” Organization Studies, 44: 919–938.
Ploog, J. N., and J. Rietveld
2023 “Network effects by choice: evidence from the board games industry.” doi:10.13140/RG.2.2.29002.85442
CIC 2020 – 2021
Deshmane, A., and V. Martinez-de-Albeniz
2020 “Come Together, Right Now: An Empirical Study of Collaborations in the Music Industry.” SSRN Electronic Journal. doi:10.2139/ssrn.3743462
Fedyushina, A., and C. Jones
2023 “Brokering arts to build cross-cultural relations: how strength and embedded relations influence outcomes.” International Journal of Cultural Policy, 1–20.
Hadida, A. L., J. Lampel, W. D. Walls, and A. Joshi
2021 “Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics.” Journal of Cultural Economics, 45: 213–238.
Negro, G., B. Kovács, and G. R. Carroll
2022 “Bustin’ Out: The Evolution of Novelty and Diversity in Recorded Music.” In G. Cattani, D. Deichmann, and S. Ferriani (eds.), Research in the Sociology of Organizations: 51–87. Emerald Publishing Limited.
Svejenova, S., E. Boxenbaum, and R. Meyer
2020 “Turning public libraries into collaborative spaces The role of multimodal imaginaries.” In E. Mattarelli, A. C. Scapolan, and F. Montanari (eds.), Collaborative Spaces at Work: Innovation, Creativity and Relations 1st ed. Routledge. doi:10.4324/9780429329425
CIC 2019
Coman, S., and M. P. Opazo
2020 “A canon of one’s own: A comparative analysis of cultural production in gastronomy and the visual arts.” Poetics, 82: 101474.
Ebbers, J. J., M. A. A. M. Leenders, and J. J. E. Augustijn
2021 “Relationship value benefits of membership programs, heterogeneous stakeholders and museum impact beyond fees.” European Management Review, 18: 418–432.
Eisenman, M., and T. Simons
2020 “A Rising Tide Lifts all Boats: The Origins of Institutionalized Aesthetic Innovation.” In G. Cattani, S. Ferriani, F. Godart, and S. V. Sgourev (eds.), Advances in Strategic Management: 125–154. Emerald Publishing Limited
Mitali, B., and P. L. Ingram
2018 “Fame as an Illusion of Creativity: Evidence from the Pioneers of Abstract Art.” SSRN Electronic Journal. doi:10.2139/ssrn.3258318
CIC 2018
Aadland, E., G. Cattani, D. Falchetti, and S. Ferriani
2020 “Reflecting glory or deflecting stigma? The interplay between status and social proximity in peer evaluations.” (V. Capraro, ed.) PLOS ONE, 15: e0238651.
Banerjee, M., B. M. Cole, and P. Ingram
2022 “‘Distinctive from What? And for Whom?’ Deep Learning-Based Product Distinctiveness, Social Structure, and Third-Party Certifications.” Academy of Management Journal, amj.2021.0175.
Burrow, R., R. Scott, and D. Courpasson
2022 “Where ‘The Rules Don’t Apply’: Organizational Isolation and Misbehaviour in Elite Kitchens.” Journal of Management Studies, 59: 1103–1131.
Ebbers, J., and W. Stam
2019 “The Value of Perceived and Actual Intra-Incubator Networks and Firm Performance.” Academy of Management Proceedings, 2019: 12109.
Harrison, S. H., N. Askin, and L. P. Hagtvedt
2023 “Recognition Killed the Radio Star? Recognition Orientations and Sustained Creativity After the Best New Artist Grammy Nomination.” Administrative Science Quarterly, 68: 97–145.
Maoret, M., G. Marchesini, and G. Ertug
2022 “On the Status Shocks of Tournament Rituals: How Ritual Enactment Affects Productivity, Input Provision, and Performance.” Academy of Management Journal, amj.2020.0585.
Paredes Maldonado, M.
2020 “Reconstituted Smart Citizenships Hacking Data-Based Urban Representations of the Public Domain.” In L. P. Rajendran and N. D. Odeleye (eds.), Mediated Identities in the Futures of Place: Emerging Practices and Spatial Cultures, Springer Series in Adaptive Environments: 153–172. Cham: Springer International Publishing.
Slavich, B., S. Svejenova, M. P. Opazo, and G. Patriotta
2020 “Politics of Meaning in Categorizing Innovation: How Chefs Advanced Molecular Gastronomy by Resisting the Label.” Organization Studies, 41: 267–290.
Sgourev, S. V.
2020 “The Alchemy of Painting: How the Technology of Oil Paint Transmuted Art.” In J. Strandgaard Pedersen, B. Slavich, and M. Khaire (eds.), Technology and Creativity: 37–62. Cham: Springer International Publishing.
CIC 2017
Han, S., and S. A. Ravid
2016 “Actor Replacement as a Pseudo-Natural Experiment in the Value of Human Capital- Evidence from Broadway Shows.” SSRN Electronic Journal. doi:10.2139/ssrn.2863983
Mauskapf, M., E. Quintane, N. Askin, and J. M. Mol
2017 “Embeddedness and the Production of Novelty in Music: A Multi-Dimensional Perspective.” Academy of Management Proceedings, 2017: 16678.
Stigliani, I., and K. D. Elsbach
2018 “Identity Co-Formation in an Emerging Industry: Forging Organizational Distinctiveness and Industry Coherence Through Sensemaking and Sensegiving: Identity Co-Formation in an Emerging Industry.” Journal of Management Studies, 55: 1323–1355.
CIC 2016
Askin, N., and M. Mauskapf
2017 “What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music.” American Sociological Review, 82: 910–944.
Askin, N., and J. Mol
2018 “Institutionalizing Authenticity in the Digitized World of Music.” In C. Jones and M. Maoret (eds.), Research in the Sociology of Organizations Vol. 55: 159–202. Emerald Publishing Limited.
Coman, S., and D. J. Phillips
2018 “Ambiguity and the Longevity of Creative Industries: The Case of Swing through the Lens of Interdisciplinary Collaboration.” In C. Jones and M. Maoret (eds.), Research in the Sociology of Organizations Vol. 55: 203–235. Emerald Publishing Limited.
Godart, F. C.
2018 “Why is Style Not in Fashion? Using the Concept of ‘Style’ to Understand the Creative Industries.” In C. Jones and M. Maoret (eds.), Research in the Sociology of Organizations Vol. 55: 103–128. Emerald Publishing Limited.
Haans, R. F. J.
2019 “What’s the value of being different when everyone is? The effects of distinctiveness on performance in homogeneous versus heterogeneous categories.” Strategic Management Journal, 40: 3–27.
Jones, C., and M. Maoret
2018 “Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics.” In C. Jones and M. Maoret (eds.), Research in the Sociology of Organizations Vol. 55: 1–16. Emerald Publishing Limited.
Murphy, S. E.
2016 “Leadership Lessons from Creative Industries: The Case of Producers, Directors, and Executives in Film and Television.” In C. Peus, S. Braun, and B. Schyns (eds.), Monographs in Leadership and Management Vol. 8: 241–273. Emerald Group Publishing Limited.
Sgourev, S. V.
2018 “Strange Bedfellows: Art and Finance or the Monet-ization of Art.” In C. Jones and M. Maoret (eds.), Research in the Sociology of Organizations Vol. 55: 73–101. Emerald Publishing Limited.