CIC 2018

DAY 1

Session I: Place and Change (Chair: Candace Jones)

• Frederic Godart (INSEAD): “Mobility networks and institutional change: how parisian haute couture moved into ready-to-wear, 1945-1973”
• Rachel Skaggs (Ohio State University): “Patterning and re-patterning the social networks of Nashville songwriters”
• Gregoire Croidieu (EM Lyon Business School): “Status and responses to institutional change: the case of the St-Emilion wine community”

Session II: Spaces of Interaction (Chair: Stoyan Sgourev)

• Robin Burrow (Cardiff University): “Isolated space and rule suspension in elite kitchens”
• Xavier Castañer (HEC Lausanne): “Dealing with common spaces: the cases of the Hague theater and the Amsterdam opera” with Alex Alexiev
• Andrea Carlo Lo Verso (University of Bologna): “Photographers, surveyors or aviators? The interstitial emergence of the civil drone industry”

Session III: Technology and Space(Chair: Massimo Maoret)

• Miguel Parades Maldonado (Edinburgh College of Art): “Smart citizenship: hacking data-based urban representations of the public domain”
• Suzanne Ewing (Edinburgh College of Art): “Spaces and practices of tolerance: moving the focus from ‘where creativity meets technology’ to how ‘creativity meets technology”
• Chris Speed (Edinburgh College of Art): “Creative Informatics as space / place”

Keynote: ‘space and place in Scottish creative industries’ by Clive Gillman, Director Creative Industries, Creative Scotland

DAY 2

Session IV: Place and Material Experience (Chair: Joris Ebbers)

• Nick Prior (University of Edinburgh School of Social and Political Science): “Vocal breaches in everyday urban culture: a sound walk through Akihabara, Tokyo”
• Stoyan Sgourev (ESSEC Business School): “How oil paint transmuted art: material practice, evaluation and professional identity”
• Candace Jones (University of Edinburgh Business School): “Boston’s material markers: remembering and forgetting city identity” with Ju Young Lee and Taehyun Lee

Session V: Shared Spaces of Entrepreneurs (Chair: Noah Askin)

• Joris Ebbers (University of Amsterdam): “The (perceived) value of multi-dimensional intra-incubator networks”
• Lily Crossina (Babson College): “Start me up: becoming an entrepreneur in a shared workspace?”
• James Riley (Harvard Business School): “The production of disinterestedness: disciplinary tactics in the market for contemporary art”

Session VI: Dynamics of Cultural Products (Chair: Frederic Godart)

• Michael Mauskapf (Columbia Business School): “Is there a gender gap in the novelty of creative products? Evidence from the global music industry” with Noah Askin, Sharon Koppman, and Brian Uzzi
• Marianna Rolbina (Bayes Business School): “International replication of cultural products: a configurational approach”
• Barbara Slavich (IESEG School of Management): “Politics of meaning in categorizing innovation: (mis-)labeling and the formation of avant-garde cuisine”

Session VII: Status & Reputation Dynamics in Creative Industries (Chair: Michael Mauskapf)

• Simone Santoni (Bayes Business School): “The king is dead, long live the king! Superstar extinction and allocation of symbolic resources in the music industry 1959-2018”
• Masimo Maoret (IESE Business School): “Does status affect performance? Evidence from all-star game participation in NBA” with Giacomo Marchesini:
• Erik Aadland (BI Norwegian Business School): “The interplay between status and social ties in peer audience evaluations: a laboratory experiment and field study” with Denise Falchetti, Simone Ferriani & Gino Cattani
• Mitali Bannerjee (HEC Paris): “Peers’ and critics’ endorsements: when and how reputation among industry insiders influence artistic innovators’ fame” with Damon Phillips